Date of Completion
2015
Document Type
Honors College Thesis
Department
Romance Languages and Linguistics
Thesis Type
College of Arts and Science Honors, Honors College
First Advisor
Joseph Acquisto
Second Advisor
Meaghan Emery
Third Advisor
Mary Lou Kete
Keywords
grace, body, play, absurd, Camus
Abstract
This essay explores the connections among the body, physical grace, and the absurd in two of Camus’ earliest essays, “Noces à Tipasa” [Nuptials at Tipasa] (1938) and Le Mythe de Sisyphe (The Myth of Sisyphus) (1942). This then leads into a discussion on “play,” which ties all three subjects together. Finally, these topics are explored in Camus’ novel La Peste [The Plague] (1947) to show how one might apply the findings of this essay to Camus’ fiction. To begin, the essay focuses on the foregrounding of the body in Camus’ two essays. It then shows how Camus’ emphasis on the body leads him to explore either the state of grace or the absurd. After this, it is shown that while grace and the absurd appear to be opposites, there is still the possibility for them to coexist. This is done in the realm of play. Here, the essay refers to the sociological understanding of play, which is developed and related to the absurd. Play is the primary way that one can become graceful, and following the absurd to its conclusion is equivalent to turning life into a game that one must play. In this way, being conscious of and loyal to the absurd turns life into a playing field where one may be in a state of grace.
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Recommended Citation
Neal, Derek, "Grace, Play, and the Body in the Writings of Albert Camus" (2015). UVM Honors College Senior Theses. 81.
https://scholarworks.uvm.edu/hcoltheses/81