Date of Completion

2015

Document Type

Honors College Thesis

Department

Asian Studies

Type of Thesis

College of Arts and Science Honors, Honors College

First Advisor

Erik Esselstrom

Keywords

Cao Cao, China, Japan, pop culture, Romance of the Three Kingdoms, Luo Guanzhong

Abstract

There are few works of Chinese literature more popular than Sanguo Yanyi, or The Romance of the Three Kingdoms. And there are few characters more complicated than the warlord Cao Cao. Numerous adaptations of this work have been produced in both China and Japan, many of which interpret Cao Cao in different ways. This paper seeks to determine the differences between Chinese and Japanese interpretations of Cao Cao in various adaptations. It then turns to the question of what reasons, whether cultural or practical, would have caused these differences.

Comments

The full contents of this thesis are available only in the Honors College office.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.

Available for download on Friday, May 01, 2020

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