Date of Completion

2019

Document Type

Honors College Thesis

Department

Electrical Engineering

Thesis Type

Honors College

First Advisor

Jeff Frolik

Second Advisor

Hamid Ossareh

Keywords

harmonizer, phase vocoder, undergraduate thesis, honors thesis

Abstract

Vocal harmonies are a highly sought-after effect in the music industry, as they allow singers to portray more emotion and meaning through their voices. The chords one hears when listening to nearly any modern song are constructed through common ratios of frequencies (e.g., the recipe for a major triad is 4:5:6). Currently, vocal melodies are only readily obtainable through a few methods, including backup singers, looper-effects systems, and post-process overdubbing. The issue with these is that there is currently no publicly-available code that allows solo-artists to modulate input audio to whatever chord structure is desired while maintaining the same duration and timbre in the successive layers.

This thesis plans to address this issue using the phase vocoder method. If this modulation technique is successful, this could revolutionize the way vocalists perform. The introduction of real-time self harmonization would allow artists to have access to emphasized lyrical phrases and vocals without needing to hire and train backup vocalists. This phase vocoder would also allow for more vocal improvisation, as the individual would only need to know how to harmonize with themselves and would thus not be relying on interpreting how backup vocalists plan on moving the melody when creating more spontaneously.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.

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